Living away from the excited states, I find that books are ever more important. That may not be true; I’ve always found books to be absolutely essential, regardless of where I lived. My father would come home and find me, as a teenager, on the couch on a summer Saturday, exactly where he had last seen me when he left for work that morning, and say, ‘Are you still reading?’ He kept on saying that to me, all his long life.
So, it’s probably not true that books are more important up here on the fringes of contemporary living, but it feels like it anyway. I read two or three books a week and mostly they are books provided for me by the Point Roberts Library, via its mother institution, the Whatcom County Library. Bless you all at this insufficiently honored civic institution. On Fridays, I order up the books I want via the internet, and on Wednesday at noon (the library is open only three days a week, and the delivery of books only on Wednesday), I see what they have sent me to read next.
This has been my pattern for years here, but there is now a big change, I guess as a result of the financial chaos we are experiencing. I used to put a book on my list and see that I was maybe number 2 or 3 on the list if it was a very recent and very popular book. Nowadays, when I put a book on my list, I am more likely to be number 13 or even number 48, as I was the other day. I guess a lot of book buying is discretionary. Of course, I’ve considered it that for years, so I can’t complain that others have figured it out as well. So next year, I may be working on reading older books for which there is less demand.
In honor of books, here, in no particular order, is my list of ‘Best Books I Read in 2008.’ Very few of them were published in 2008, but I don’t see why that should matter. A good book is worth knowing about any year.
1. Calamities of Exile, by Lawrence Weschler. This is a non-fiction work, in which Weschler introduces the reader to (as I recall) five people who have lived in exile and explores what it has meant to them. The thing about this book that is most important is that it is by Lawrence Weschler. Everything he writes is terrific, so I’d recommend not only this book, but anything else you run into by him. (I started to write, I also really liked ‘Vermeer in Bosnia,’ but then I thought about ‘Mr. Wilson’s Cabinet of Wonders,’ and there was no going back. Just read anything by Weschler and you’ll be smarter than you were before you read it.)
2. Kristin Lavransdattar, by Sigrid Undset. I first read this novel when I was about 14, and I’ve read it probably four more times since then. Undset received the Nobel Prize for Literature in the 30’s, I think, and re-reading it this time is part of my off-and-on attempt to read at least one work by everyone who has ever gotten the Nobel Literature award. I don’t plan to re-read Faulkner, though.
3. Those Troublesome Young Men, by Lynn Olson. The ‘young men’ in question were those who supported Winston Churchill’s re-rise to power in the U.K. in 1939. It’s interesting to read about all the political finagling that got him to head the war effort and the country.
4. Oblomov, by Ivan Goncharov. Another re-read (but the first time) of an old novel. I first read it in grad school, and I liked it even more this time. About a man who can’t stay awake long enough to get engaged in life, and the friends who try to pull him into it. If you’ve occasionally imagined spending much of your life in bed, this is the book for you.
5. Lush Life, by Richard Price. Nobody writes contemporary urban crime stuff better than Price. I first ran into him with a novel called Clockers, later made into a less successful film. His ability to write dialogue is amazing; he also wrote some of the scripts for the later seasons of The Wire, and it showed.
6. The Brief Wonderful Life of Oscar Wao, by Junot Diaz. Oscar Wao has some things in common with Oblomov, except he’s a guy who would sort of like to become engaged but is repeatedly pushed away. Diaz is a terrific, relatively new writer from the Carribean.
7. Hotel de Dream, by Edmund White. I’m not normally a big Edmund White fan, but I liked this a lot; perhaps because it is an imagined novel starring Stephen Crane, whose writing I do like a lot. Strange, exotic book.
8. Moth smoke and The Reluctant Fundamentalist, both by Mohsin Hamid. A new Pakistani/U.S. educated novelist, Hamid tells strange and compelling stories. I think what I particularly like about these is the way his familiarity with American sensibilities is interwoven with his understanding of Pakistani sensibilities. The novels appear in a midground, unlike a lot of English-language novels by immigrants, which are often very here or very there. This one's there, but you read it through here.
9. A Free Life, by Ha Jin. Another immigrant writer, all of whose work I like a lot. His novels are more typically very there, but this one is very here.
10. Common Carriers, by John McPhee. McPhee, like Weschler, a New Yorker writer, tells me just exactly all the things I wanted to know about the things I didn’t even know I wanted to know about. This book is about how things get places: ships, barges, trains, trucks, common carriers of all sorts.
11. Game Control, by Lionel Shriver. Shriver is perhaps an acquired taste, but I’ve acquired it. This novel is about academics and NGO do-gooders in Africa, and is smart and funny and painful, as I might equally describe any of her novels.
12. Angel of Grozny, by Asne Sierstad. Sierstad wrote The Bookseller of Kabul several years ago, about Afghanistan under the Taliban, a very revelatory book. In this next outing, she writes of her experiences as a journalist during the Chechen war. It’s grim reading, but it certainly gives one some insight into how much we don’t know about what’s going on around the world.
13. The Muses Are Heard, by Truman Capote. In 1961, I assigned this book as the text for my Comp classes at UCLA, and I thought it was time to see whether it held up. It does: Capote was a careful observer and terrific writer. You want to know how to describe something, read this book. This was also Capote’s first entry into journalism, accompanying a touring company of Porgy and Bess in its non-State Department sponsored performances in Russia at the height of the Cold War (the early 1950’s), when both the Russians and the American performers were highly concerned about what to say about the U.S.’s ‘Negro Problem.’
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